Udaltsov Nikolay

AURO-SYMBOLISM.

Now I do not represent a separate picture or scenic series and the new direction in painting – Auro-symbolism (symbolism for the soul); and now I tell about this area and its attendant possibilities in more detail.

Auro-symbolism is an attempt to walk the line between the outside world and its internal content.
And, with this face, to look at possible trends of evolution of this world.
Auro-symbolism – it is my desire to paint is not about nature, but about our good mood, our desire to live better tomorrow than today.
So this is my attempt to write a dream...
This picture is not about nature, and about man.

Auro-symbolism does not judge anyone. He reconciles the human condition with human plans. And helps people to answer the question that largely determines their lives in every moment: the desire or opportunity?
Auro-symbolism – a symbiosis of nature and of the human soul, it is simultaneously an appeal to the image, and feeling.
Auro-symbolism is the direction in painting that can help the viewer to shape their destiny.
Auro-symbolism need of our age regardless of: age understands it or not.

At the same time, Auro-symbolism is a return to the educational ideas of the Renaissance because of the biblical painting is a painting of the hypotheses, because mythmaking is always a hypothesis.

But Auro-symbolism is the hypothesis of the existence of the world is not the era of Catholicism, and the time of humanism, which, in my opinion, the moral future...

Add his unique technique (oil on canvas), which the game fills in the light house festival.
And it makes people's lives better.

(Features of this technique are that the photography of my paintings difficult or transmitted light or are a continuous glare.)

Auro-symbolism – a completely new direction in painting, and a new perspective on the possibilities of art.
This is art, is able to restore Russia's avant-garde place in the world culture...

But I didn't stop there, and are now working on even more new direction under the conditional name

ABSTRACT AURO-SYMBOLISM

I became interested in abstraction for two reasons.
First is a confirmation of the reality of thought.
Second is a confirmation of the reality of the world: if there is something to ignore, it means that the world is real.

Although, as an artist, I certainly understand that the objectivity of claims about reality, is a subjective statement.

(...Thus, the practice of abstraction led me to another possible opening: an ABSTRACT PORTRAIT.
As an experiment, I created abstract portraits of several poets of "Silver age"; and the result was corresponding to my expectation.
I showed people two abstract paintings, and when asked: "Which one Esenina portrait, and which portrait of Mayakovsky?" identification was unmistakable.
Ready to submit "abstract portrait" as an independent project.)

...But back to abstract Auro-symbolism.

All that I sought to convey in Auro-symbolism: good mood, the desire to live better tomorrow than today, dream of mankind, now seek to convey in the abstract.
And in the same unique technique.
And the fact that I do it – I was not surprised.

...Friends, we can and must impress Europe, which missed the surprise...

PS by the truly modern artist and the modern cleric a lot in common. But there is one significant difference: this artist truly believes in what he says to people...

Nicholas Udaltsov